I SIT WITHOUT BLINKING BEHIND MY COMPUTER as the next Movie automatically begins. Billed as a “Spiritual Sequel” to The New AryansThe New Jews picks up where the last left off:

 

Col. Pussygrab and his recently bleached Swamp Creatures are sitting in a lake house modeled pretty convincingly on Wannsee outside Berlin, eating croissants and discussing how best to kick off the Second Dodge City Genocide, itself a “Spiritual Sequel” to the First.

 

“Well, our main goal naturally is to kill as many possible,” says one of the New Aryans.

 

The others sip their cappuccinos and nod, savoring what appears to be both the coffee’s rich velvety flavor as well as the delicious notion of catalyzing mass murder.

 

“For old times’ sake,” another adds, “why don’t we begin with the Jews?”

 

More nods of assent.

 

“Once they’re pretty well exterminated, we’ll be able to move on to other, more motley demographics in relative peace.”

 

“Indeed,” adds another. “These things must be done right. A little respect for history, in terms of annihilating the Dodge City Jews, will go a long way. Where the First Dodge City Genocide left some Jews alive to breed and re-infest the town, ours will not. We must, like all great thinkers, learn from the mistakes of the past.”

 

I yawn, pretty sure I know where this is going. But then, like the Director has gauged the exact moment of audience disengagement, a curveball gets thrown in:

 

The most sinister of the New Aryans, who appears to be Pussygrab’s advisor — I’ll call him One-Fang Larry in honor of the dripping fang that protrudes like a necktie from his mouth to his bellybutton — clears his throat and says, “I hate to complicate matters, especially on such a festive occasion, but it must be pointed out that the Dodge City Jews are no longer as easy to identify as they once were.”

 

All eyes are on him, in a wide shot that takes in the whole table. Then the camera zooms in on his fang as he says, “Much as it pains me to say this, what we’re dealing with now is a race of New Jews …”

 

Here the action freezes and the title THE NEW JEWS: A RACIAL SPECTACULAR fills the screen, the letters vibrating over a Spaghetti Western synth track.

 

I’d like to say I shut my laptop here and go to bed, but that’s not what I do.

 

*****

AFTER THE TITLE CREDITS, the conference table discussion resumes, the synth fading out.

 

“As I was saying,” One-Fang Larry resumes, “the Jews grew smart in the decades since the First Genocide. Like cockroaches, which grow stronger from what doesn’t kill them, these surviving Jews are not the sitting ducks they used to be. They’ve cloaked themselves in clever, insidious ways. Names, addresses, faces, even blood-types … none of it’s as overtly Jewish as it used to be.”

 

Here Pussygrab cuts in, eyes wide with anger. “Are you saying, then, that these New Jews could be crawling among us?”

 

He itches his New Aryan skin as the camera swoops out to take in the frightened, suspicious expressions of those gathered around the table. Everyone’s eying everyone else, trying to sniff out the New Jews among them while, at the same time, surely preparing to defend themselves as well.

 

“That’s exactly what I’m saying,” One-Fang Larry replies. “They could be anywhere. They could be you,” he looks at one of the New Aryans, “or you,” he looks at another …

 

By the end of the scene, he’s looked at everyone except Pussygrab, whose gaze he’s studiously avoided.

 

“Well then,” Pussygrab says, standing up and motioning for the others to follow. “Bring me the most accurate New Jew detection software on the market. I want state-of-the-art. This Dodge City Genocide is going to be done right. Find me the very best!”

 

 

*****

THE SCREEN goes black here and I doze off until a knock on my door rouses me. Stumbling over to open it — though I know I should start being more careful — I see a minor Swamp Creature (a henchman or handmaiden) standing in the hallway, hand outstretched.

 

“Yes?” I ask, once this pose has been held longer than I can bear without responding.

 

“I’m here to collect your submission for the New Jews Identification Project,” he, she, or it says.

 

When I don’t respond, the Creature adds, “each Dodge City Citizen is required to submit their best attempt at devising a foolproof method for identifying the New Jews lurking among us. The Glorious Genocide that the Good Colonel has envisioned cannot take place without our dedicated participation.”

 

I look frantically around the Room until my eyes settle on a Room Service receipt, itemized with roast beef, mashed potatoes, and extra horseradish. I hand this over and say, “Here. Here’s my list.”

 

The henchman or handmaiden scoffs at my pitiable submission, but accepts it and shuffles off, leaving the door open wide enough to whisper, “If this or any other method implicates you as a New Jew, know you’ll be seeing us again.”

 

 

*****

IN THE QUIET of my Room after the list has been collected, my attention has nowhere to turn save for back to my computer, where, come to think of it, I can’t be sure it hasn’t been all along.

 

The Genocide’s ramping up: Pussygrab has assembled the entire Dodge City Population in Sacrifice Square and appears to be testing each New Jew detection method in turn, skewing, naturally, toward those that identify the widest possible swath of people.

 

This is skipped over in fast, brutal montage, and soon firing squads are executing row after row of men, women, and children, all lined up against the exposed brick facade of City Hall, blood pooling in a trough that runs along Main Street like a half-dug subway tunnel.

 

First to go are those Dodge City citizens whose Jewishness is overt — about seven in total — and then, according to the various New Jew identification schemes that Pussygrab has received, the executions spread outward, to incorporate the rest of the Dodge City Population. Everyone, it would seem, is outed as a New Jew by one method or another.

 

Then, inevitably, the deaths start hitting closer to home:

 

Now the Movie shows Pussygrab executing his junior advisors — “Just to be safe!” he shouts, over the noise of the firing squads, who’ve moved indoors — and now he’s executing his senior advisors, pacing his Palace (where in Dodge City is this located?) in agitation, until it’s just him and One-Fang Larry, ankle-deep in viscera.

 

They stand together, poring over the New Jew results, each wielding a jeweled saber.

 

“I’m sorry it’s come to this,” Pussygrab begins, “but the Second Dodge City Genocide will mean nothing if we are not thorough. We will fail to transcend the First if we let even a single New Jew slip through the cracks. History will not remember us kindly in that event.”

 

One-Fang Larry smiles and kneels down, head inclined in a pose of supplication that finds the tip of his fang resting on the floor. “Believe me, if there’s even the slightest chance that I am a New Jew, the last thing I’d want is to live on. By all means, kill me now.”

 

And Col. Pussgrab does, with a single deep slash across the throat.

 

 

*****

THE MOVIE PAUSES again here, giving its viewers (or viewer, if I’m the only one) a moment to breathe and reflect before the grim finale commences.

 

Then the grim finale commences:

 

Pussygrab’s alone in his Throne Room, cradling the slaughtered body of One-Fang Larry, his closest advisor and perhaps his only friend.

 

Surrounded by piles of data — the results of each New Jew identification method he’s tried — Pussygrab wades through the blood and mutters, “Now, the moment of truth, now the moment of truth … I mustn’t let my Genocide fall short, I mustn’t … ” over and over, until the Movie cuts to him sitting on his Throne with his jeweled saber in one hand and a strip of litmus paper in the other.

 

“Okay,” he mutters, “time to find out. If I’m a New Jew, I too must die. And if I’m not, I will rule this town forevermore, in untrammeled glory.” He turns to the screen here, breaking the fourth wall: “This is the evil of the New Jew, you see — it can lurk anywhere. Anywhere at all, inside any of us, in you, in me …”

 

Looking away from the camera, the synth score comes back up as he cuts his forearm with the saber and catches the blood on the litmus paper. He watches as it soaks through, turning red and pulpy in his hands, until it falls apart, apparently without yielding any definitive result.

 

He scowls and cuts himself again, this time catching his blood in a beaker, but, again, no verdict emerges.

 

Now, he looks imploringly at the corpse of One-Fang Larry, even going so far as to kick it with his jeweled slipper. “Hey, Lar’? Lar’?” He kicks it again, growing frantic. “Hey! A little help here? How do you work these damn things?”

 

When One-Fang Larry remains dead, Pussygrab starts slashing his wrists indiscriminately, bleeding onto more paper, more beakers, as well as buckets, sponges, sugar cubes and tea towels, each method claiming to be the best for identifying New Jews wherever they lurk.

 

“Am I one or not? Am I one or not?? Am I one or not???” he shrieks, louder and louder, as his New Aryan skin sloughs away and his green Swamp Skin shows through, losing its luster as his blood pours out.

 

The Movie ends with Pussgrab collapsed on his throne, translucent as a supermarket chicken.

 

Just before the credits, a banner crawls across the screen. It reads: and so the question remains — did the Second Dodge City Genocide succeed where the First fell short, or are the New Jews alive and well, in some dark corner of The Dodge City Gene Pool, already preparing to rise again?

 

When the screen goes black, I catch a reflection of my face and think, not without a certain glee, Here at least is one you didn’t kill!

 

 

*****

A KNOCK ON MY DOOR cuts this reverie short. My immediate reaction is to panic, certain that they’ve come for me at last, but when the Porter shouts “Room Service!” I get up and answer it.

 

Finding that the Movie has compressed my appetite into a hard lump in my lower intestine, I step over the steaming tray and drift, dazed, out into the hall and then down the main staircase to the Lobby, where it appears that a local version of the Great Japanese Horror Auteur Takashi Miike is being feted by the Hotelier for having written and directed The New Jews on such short notice, while, in the conference room directly adjacent, the KKK are preparing to hold a rally entitled Born This Way: A Celebration of Hooded Life.

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